https://www.renegadeopera.org/pastprojects daily 0.75 2024-03-20 https://www.renegadeopera.org/welcome2 daily 0.75 2020-10-17 https://www.renegadeopera.org/home daily 1.0 2026-03-04 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/9adfe42d-36ad-4b60-ad89-ee1945468850/Raven+graphic+%281%29.png Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/6d0c10c6-ed45-421a-9510-4b558d58f040/2026+Fund.png Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.renegadeopera.org/team daily 0.75 2025-12-04 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/cc8ecbb3-96bb-4177-ae4b-dd49dc2a68ad/Madeline+Ross+-+Rachel+Hadiashar.jpg Team - Madeline Ross, Executive Director Executive Director Madeline Ross brings her dedication to immersive, relevant operatic storytelling, accessibility, and equity to her work at Renegade Opera. Ms. Ross has over 10 years of theater production experience, previously founding and serving as Executive Director for Promenade Opera Project in Boston, MA. Ms. Ross’ skills as an administrator, producer, and performer inform all aspects of her career in the arts. Praised for her “brilliant coloratura voice,” “world class” stage presence, and thrilling versatility, Madeline Ross has been seen most recently making her Portland Opera debut as the First Woodspite in Dvorak’s Rusalka and as the Northern Flicker in Bird Songs of Opera with Renegade Opera. She made her Carnegie Hall debut in 2019 as a jazz soloist where she “scatt[ed] to beat the band” (NY Concert Review). Ms. Ross has also performed with Resonance Ensemble, The Oregon Symphony, 45th Parallel, Opera Theater Oregon, Shaking the Tree Theatre, and was recently hailed for “effortlessly nailing” her performance as Queen of the Night in Mozart’s Die Zauberflöte (Oregon ArtsWatch). She won first prize at the National Association of Teachers of Singing Classical Voice Competition in 2020, the Annemarie Gertz Prize at the 2024 NATS Artist Awards, and was honored to take part in a performance at the Kennedy Center in Washington D.C. premiering An African American Requiem by Damien Geter with Resonance Ensemble and NEWorks Philharmonic Orchestra. Recent engagements include three role debuts, as Tamiri in Mozart’s Il re pastore and as Lucinda in Nico Muhly’s Dark Sisters with Orpheus PDX (Summer 2023), and as Clorinda in Rossini’s La Cenerentola with Portland Opera (Fall 2023). madelinelross.com https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/201ae26e-3936-42e5-9cb5-bdc160aa0d33/unnamed.jpg Team - Claire Robertson Preis, Core Team Mezzo-soprano Claire Robertson-Preis is a musicmaker--originally from Missoula, MT. and Boerne, TX. Claire holds double Bachelor of Arts degrees in Music and Russian from the University of Montana in 2016, studying abroad in both St. Petersburg, Russia (FINEC) and Graz, Austria (The American Institute of Musical Studies). With a M.M. Vocal Performance earned from West Virginia University in 2019, Claire's academic focuses include vocal pedagogy, perspectives in musicology, and twentieth-century music theory. While at WVU, Claire worked as a lecturer teaching private voice lessons and served as a Choral Intern with Suncrest United Methodist Church. Currently, Claire works as the Operations Manager for Portland Symphonic Choir and teaches voice to young singers at the Hoffman Academy in Portland, Claire is passionate about making the opera industry a more accessible space now and for future singers. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/59f7911a-d2a1-4767-8822-5babe862fc97/20220829-119.jpg Team - Danielle Jagelski, Artistic Director Danielle Jagelski is a conductor, composer, and creative producer. At home in both orchestral and theatrical realms, she is the Artistic Director and Co-founder of Renegade Opera, Resident Conductor of PROTESTRA, Producer for First Nations Performing Arts, and Conducting Faculty at Manhattan School of Music-Precollege Division. Sought out for her execution of contemporary and new works, recent conducting engagements include the US premiere of Never to Return by Karen Sunabacka, Scalia/Ginsberg at Opera Ithaca, Missing by Brian Current at Anchorage Opera, Dark Sisters by Nico Muhly at Temple University, Tlingit Opera at Perseverance Theatre, Adam’s Run by Ruby Fulton at Renegade Opera, National Music & Global Culture Society at Lincoln Center, Garden of Alice by Elizabeth Raum with City Lyric Opera, served as assistant conductor for Le nozze di Figaro at the Estates Theatre. Past engagements include working with ensembles such as the Opera Theatre Saint Louis, Stanford Symphony Orchestra, Rhymes with Opera, and Manhattan School of Music. A citizen of the Oneida Nation of Wisconsin and Red Cliff Band of Ojibwe with Polish-settler heritage, Danielle often collaborates and performs with other Indigenous artists in interdisciplinary projects, along with presenting her research in mixed-race studies and classical music throughout the US and Canada. As a composer, her most recent premieres have been by New Native Theatre, Hear Us Hear Them Ensemble, MUSE Cincinnati Women’s Choir, American Patriots Project, Artemis Singers. She is currently working on a new work commissioned by Voice of Ascension, "What Do You See" to be premiered in April 2024. She is a recipient of grants from The Plimpton Foundation, Foundation for Contemporary Arts, and Native Arts and Cultures, as well as earning a distinction award from the National Opera Association. Danielle graduated from Hamline University with degrees in classical composition and chemistry, with further studies in conducting from Conservatorium van Amsterdam and Manhattan School of Music. daniellejagelski.com https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/0c9c0756-9c4b-44a7-b793-8e0d0bf89c80/abby+headshot.jpg Team - Abigail Krawson, Community Curator Abigail Krawson is dynamic performer, an engaging educator, and a passionate producer of innovative opera and vocal performances. She sings with Portland Opera and The Portland Symphonic Choir regularly, and she is also the Director of Children and Youth Choirs at Lake Grove Presbyterian, where she recently soloed with musicians from the Oregon Symphony on works like Handel’s Messiah and Rutter’s Requiem. In the 2022-23 season, she portrayed the Mourning Dove in Renegade’s Bird Songs of Opera, sang a duo concert called Tapestry with friend and vocalist, LaRiche Lamar, and commissioned a new choral work by local composer, Cecille Elliott, for her youth choir. In the 2021-22 season she sang Vivaldi's Gloria and Mozart's Vespers Solennes de Confessore with Eugene Concert Choir, was the soprano Flower in Blythely Ever After, a rock/opera cabaret with Stephanie Blythe at Boston Lyric Opera, and performed with OrpheusPDX as Proserpina in Monteverdi's L'Orfeo. Prior to 2020, Abigail sang Adele in Die Fledermaus with Amarillo Opera, Suor Genovieffa in Suor Angelica with Opera West, joined both The Phoenix Theatre (Sound of Music) and Arizona Opera (La Bohème) as an ensemble member, and took First Prize at the Southwest Vocal Competition. Past season highlights include the saucy Musetta in La Bohème, the vocally punishing, but ever charming Zerbinetta in Richard Strauss’ Ariadne auf Naxos, the charming Marzelline in Fidelio, and Adamo’s heart-wrenching Beth in Little Women. And on the concert stage, she has performed the solos in Strauss’ Brentano Lieder, Mozart's Requiem, Brahms' Requiem and Handel's Messiah. abigailkrawson.com https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/8ae3b908-becb-40ec-b632-534f10dea58c/headshot.jpg Team - Jesse Preis, Creative Team Jesse A. Preis is a tenor, pianist, and composer, originally from Emblem, Wyoming. Jesse graduated from the University of Montana in 2016 with a BM in Piano Performance & Pedagogy and a BA in Vocal Performance and studied voice abroad in Graz, Austria (The American Institute of Musical Studies) during the summers of 2016. In 2019, Jesse completed an M.M. Vocal Performance at West Virginia University. After relocating to Portland, Jesse has worked as a piano teacher at Hoffman Academy and Lydian Music Studios, the Director of Music Ministry at Prince of Life Lutheran Church and St Stephen Lutheran Church, and as a freelance accompanist. Most recently, in the summer of 2022, Jesse performed as the pianist for Mozart’s La clemenza di Tito (Renegade Opera). Jesse also collaborated with mezzo Claire Robertson-Preis in a 2018 performance of Schumann’s Frauenliebe und -leben. Their recent vocal performances include a complete staged recital of Winterreise, performed in 2018, and a chamber rendition of Vaughan Williams’ Four Hymns, performed in 2019. Jesse has also appeared as Perry in Orfeo in Underland (Renegade Opera), Parpignol in La boheme Warhola (Pittsburgh Festival Opera), the First Priest and Armored Guard in The Magic Flute (WVU), and roles in numerous opera scenes productions. www.jessepreis.com https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/2f6273b8-8498-4420-afcf-e5637ee4ffd0/Joellen+Sweeney+Headshot.jpg Team - Joellen Sweeney, Creative Team Joellen Sweeney is an actor, director, and teaching artist from Portland, Oregon. Her creative research focuses on immersive and site-specific performance; Joellen loves to create and support events that build connectedness between people and their environment. Recent regional credits include work with Renegade Opera (Director: Tito, Orfeo in Underland, Secret Diaries of Pennsylvania Avenue), Seattle Shakespeare Company, Artists Repertory Theatre, Anonymous Theatre, Shaking the Tree Theatre, Portland Experimental Theatre Ensemble and Northwest Children's Theatre. She is also a co-founder of Bedrock Theatre, a performance collective that combines storytelling, live music and hiking in parks and wilderness areas. Joellen earned her Masters of Fine Arts in Acting from the University of Washington’s Professional Actor Training Program. She is also a proud alumna of Willamette Univeristy, the Third Rail Repertory Theatre Mentorship Program and the Shakespeare & Company Month-Long Intensive. When she is not at the theatre, Joellen enjoys singing, studying ocean science and hiking with her husband, Alec. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/7b6927c0-8174-4ab2-981f-35c949cd13a8/Maeve+Stier-3+3.jpg Team - Maeve Stier, Creative Team Maeve Stier, Creative Team and I am a multidisciplinary performance artist with roots in classical music, mime, and immersive theater. After graduating from Portland State University with a degree in opera in 2020, I began playing accordion as a way to accompany my singing. I found joy and (surprisingly) success as a street musician, and after honing my craft for a few years, I made my Broadway debut in the 2024 revival of Cabaret at the Kit Kat Club. Originally from Portland, OR, I was lucky to share the stage with the likes of Josh Groban, Sarah Brightman, and Pink Martini, as well as local legends Johnny Franco and his Real Brother Dom. My work in musical theater and opera brought them to companies like Third Rail Repertory Theater, Portland Opera, Renegade Opera, and most recently, to the August Wilson Theater. Along the way, I have been providing voice-over work to video game projects, universities, and businesses seeking to add a polished voice to their promotional materials. Let’s work together! https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/11d62c66-db9f-4b95-be6f-0ba1d441922e/TZ6A7554.jpg Team - Emily Evelyn Way, Creative Team Hailed as “captivating in her performance” (The Register-Guard, Eugene OR) and “lovely… with a well-focused tone” (Opera News), Emily Evelyn Way is a lyric coloratura soprano based in the Pacific Northwest. She was most recently seen as the Soprano in Renegade Opera’s production She Loves You Back, as Zina in Dark Sisters with OrpheusPDX, Madame Herz in Der Schauspieldirektor in a joint production with Opera Bend and the Central Oregon Symphony, in recital at Oktoberfest in Mt. Angel, Oregon, and in concert with Ping and Woof Opera, singing works from L’Elisir d’Amore, Don Pasquale and La Traviata. Past roles include Adina in L’Elisir d’Amore (Opera Bend), Adele in Die Fledermaus (Eugene Opera), Laurie in The Tender Land, Héro in Berlioz’s Béatrice et Benedict (Eugene Opera), Beth in Little Women (Eugene Opera, Astoria Music Festival), Flora in The Turn of the Screw (Eugene Opera, Opera on the Avalon), and Carrie Pipperidge in Carousel (Opera on the Avalon). Ms. Way has also served as the cover for Violetta in La Traviata (Amore Opera) and Lucia in Lucia di Lammermoor (New York Opera Exchange). Other notable operatic roles include Königin der Nacht, Nanetta, and Zerlina, among others. An active recitalist and a frequent presence on concert stages, she was recently seen as the Soprano Soloist in Pergolesi’s Stabat Mater in the Portland area. Notably, Ms. Way made her Mexican debut as the Soprano Soloist in Carmina Burana with the Festival Alfonso Ortiz Tirado in Alamos, Mexico, which was broadcast nationally. She has performed in concert with Music at the Gate in Queens, NY as the Soprano Soloist in Mozart’s Requiem and Exsultate, Jubilate, as well as Bach’s Cantata No. 51. Other notable concerts include Pergolesi’s Stabat Mater at Immaculate Conception Church in Bronx, NY, and a recital series based at St. Martin and St. Luke’s Episcopal Church in Manhattan. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/0f486f0e-20a8-44b3-9da4-af95967c553e/Untitled+design.jpg Team - Madeline Tran, Creative Team Madeleine Tran is a Vietnamese-American soprano, actor, fight choreographer, and occasional street and festival performer. She was born in Tacoma, WA but studied classical voice at the University of Portland under Dr. Nicole Hanig. Madeleine also studies and teaches stage combat under the mentorship of Kristen Mun. She has performed locally with many companies, including Artist's Repertory Theater, Third Rail Repertory, Portland Center Stage, Shaking The Tree, Portland Opera, and Renegade Opera. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/161ac6b0-a887-468a-a265-6d8fec9ecd72/nicholas.jpg Team - Nicholas Meyer Nicholas Meyer is a diverse singer who maintains an active singing and teaching career in Portland, OR. As a voice & piano teacher, Nicholas has taught thousands of lessons, working with professional musicians, public speakers, rock singers, hip-hop artists, treble & teenage voices, karaoke enthusiasts and everyone in between. Nicholas works with students to create a positive and encouraging environment and caters his lessons to the unique needs of each student. Employing his extensive classical music training and nearly 30 years of piano playing, Nicholas thrives in teaching all styles of music and every experience level, from beginner to advanced. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/7cf21a44-5604-454d-ac6f-06b6af2a2399/portlandoperaporajasminejohnsonbygiagoodrich.jpg Team - Jasmine Johnson Jasmine Johnson made her professional role debut in 2022 with West Edge Opera as Nireno in Giulio Cesare. She was recently seen on stage with Portland Opera as Third Wood-Sprite in Rusalka. Ms.Johnson has a passion for performing new operas and works. She workshopped Another City with Houston Grand Opera, and Omar with Spoleto Festival. She performed with Third Angle Opera in their world premiere of Sanctuaries composed by Daryl Grant. As a Portland Opera resident artist, she took on the role of Concechetta in Carlos Simons’ opera Night Trip written in 2016. She has also been seen on stage with Opera Parallel in the world premiere of their original opera, Amazing Grace. Also, Jasmine performed the role of Mrs. Grose in Turn of the Screw with Opera Theater Unlimited’s in the very first production as a company. Her debut full operatic role was Mrs. Herring in Albert Herring with the San Francisco Conservatory of music where she received her bachelor’s, master’s, and postgraduate degree under the tutelage of Cesar Ulloa. Jasmine Johnson is currently at Portland Opera as the Corporate Relations Manager where she is gaining skills in hopes of running her own opera company one day. She is excited to debut her first symphonic performance with the Oregon Symphony. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/705a9b63-fe42-4a13-8c11-f310a83998e9/74228055-_DSC87361002%2B13042.jpg Team - Nicole Leupp Hanig Associate Professor Nicole Leupp Hanig is the Head of the Voice Department at University of Portland and teaches Applied Voice, Vocal Performance Workshop, Lyric Theater Workshop and Introduction to Fine Arts. Dr. Hanig is also an Artist/Teacher with Music in the Marche, an opera training program and Festival held in Mondavio, Italy each July. Dr. Hanig’s performance resume includes performances as a soloist with the Jussi Björling Festival in Sweden, the Maggio Musicale Festival in Italy, the Pacific Music Festival in Japan and Atelier Lyrique in France. She has performed a solo recital at St. Martin’s in the Field in London, Berg’s Sieben Frühe Lieder at Durham Cathedral in Durham, England and was a soloist in Opera Galas for Amnesty International at St. James’ Picadilly in London and for the Cairo Opera in Egypt, which was recorded for Egyptian television. Opera roles include Die Feldmarschallin in Der Rosenkavalier. The Countess in Le Nozze di Figaro, Rosalinde in Die Fledermaus, Miss Jessel in The Turn of the Screw, and the role of Sian in development workshops of James McMillan’s opera The Sacrifice which was commissioned for Welsh National Opera. Upcoming projects include a performance of art song inspired by social justice themes at the National College Music Society Conference in Vancouver, BC and a recording of the art songs of Charles Widor for Albany Records. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1659298100628-634MAXPNCQ6GUSRV98T6/WLL-Kaleb-Eidsvoog-p-500.png Team - Kaleb Eidsvoog Kaleb Eidsvoog, associate attorney at Wool Landon, helps families, large and small, with a variety of estate planning needs. Born and raised in Portland, OR, Kaleb ventured south and spent six years in Arizona pursuing his undergraduate and master’s degrees and working in football operations at Arizona State University. In 2018 Kaleb returned to Portland to begin his legal career, graduating from Lewis & Clark Law School magna cum laude in May of 2021, with a certification in business law. During law school, Kaleb worked for a year as a Law Clerk at Bonneville Power Administration. He then turned his attention to estate planning, joining Wool Landon as a Law Clerk in June 2020. Following his admission to the Oregon State Bar in October of 2021, Kaleb was promoted at Wool Landon to Associate Attorney. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1707232620815-N947HLUT136GEDG53BYP/Madeline+Ross+-+Rachel+Hadiashar.jpg Team https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1707232638597-CN52L873GPJOKWO75ADH/20220829-099.jpg Team https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1707232701228-0YKXRFV7L1FZJDFIGZD2/elliot.jpg Team https://www.renegadeopera.org/tito daily 0.75 2022-11-17 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1658278065454-5WWVFT5LHNCAPNSB7NJ9/renegade_opera_tito_visuals_V2.0_NO_DATE.png Tito - Make it stand out Graphic design by Zak Eidsvoog https://www.renegadeopera.org/contact daily 0.75 2025-03-17 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/9c2b977f-8618-4c1d-be28-405fb9f5a6bf/2O5A9711-Enhanced-NR.jpg Contact - The Renegades Emily Way, Jesse Preis, Maddy Ross, Claire Robertson-Preis, Abby Krawson, Danielle Jagelski (not pictured: Joellen Sweeney) https://www.renegadeopera.org/mission daily 0.75 2024-07-02 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/154222d5-677c-41d7-9dec-7fc58955e3bf/4X7A2132.jpeg Mission - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/eadfb406-8c15-439f-892e-6ba567a33b73/whole_team.jpg Mission - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.renegadeopera.org/support-us daily 0.75 2026-01-04 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/0da329d2-3682-4251-acc3-38de7976fc68/LUPTON---8+%281%29.jpg Donate - Maddie Tran as Julie Shore in Adam’s Run (2023) Photo by Tom Lupton https://www.renegadeopera.org/secretdiaries daily 0.75 2022-11-17 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1603462301309-KCNTPQLNFH4FEUHDB8I4/sd_teaser_V1.0_no_date.png Secret Diaries of Pennsylvania Avenue Art by Zak Eidsvoog https://www.renegadeopera.org/lecture-series daily 0.75 2022-02-04 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1616044638464-Q1AG1IBMW94TYO2RS1KJ/Conversation.png Artists in Conversation Artists in Conversation: Deconstruct https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1616045006798-OLUUYPYUFB04B3T7I7LA/Screen+Shot+2020-04-20+at+11.41.43+PM.png Artists in Conversation - Bethany Battafarano Watch Now: Programming Responsibly: Diversity, Equity, and Inclusion in the Choral Arts. Bethany Battafarano, soprano, is an active soloist, consort, and choral singer who tours nationally and internationally. Her academic scholarship centers around culturally-informed vocal performance and women's musical traditions, particularly in colonial Mexican and Peruvian contexts. Bethany holds an MA in Musicology and an MM in Vocal Performance. Her topic is Programming Responsibly: Diversity, Equity, and Inclusion in the Choral Arts. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1616045258910-DBECBANAGMEG3GL3QN3W/danielle+headshot.jpeg Artists in Conversation - Danielle Jagelski Watch Now: Mixed Race Stories in Classical Music. Danielle Jagelski is a conductor and composer based in New York City. Originally from the Pacific Northwest, Danielle is the Music Director and co-founder of Renegade Opera, an immersive opera company based in Portland, OR. At home in both choral and instrumental realms, Danielle serves as cover conductor at Manhattan School of Music, and has recently conducted at Hallowed Halls (Portland, OR) and Aquilon Music Festival (McMinnville, OR). Danielle is a fierce advocate for equity in musical spaces, and has presented her research in mixed-race studies and classical music throughout the US and Canada. Danielle began her musical studies in music composition at Hamline University with Jannika Vandervelde, and conducting studies at Conservatorium van Amsterdam. She is currently pursuing further studies in Orchestral Conducting at Manhattan School of Music with Maestro George Manahan. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1616517172705-D576Y3K5JT0PP8740A9U/Ophir.jpg Artists in Conversation - Ophir El-Boher Watch Now: Informed Speculations on Non-Male Political Dress. Ophir El-Boher is a designer, artist, scholar, and educator focused on the environmental-social impacts of fashion. She creates innovative models for sustainable studio practice, extending the concept of upcycling. Inspired by natural and cultural systems, Ophir uses clothing as her medium to address contemporary issues. Fashion history informs her design, which relies on deconstruction. Her style questions ideas of beauty, through a humoristic use of color, pattern, and detail. Diverse cultural experiences and disciplines inform her questioning and retelling of cultural narratives. Her research investigates wearable objects' values and ethics. Applying systems-thinking and participatory-design, her work critiques and responds to fashion’s costs on humans and landscapes.Through writing, public speaking, and teaching, Ophir promotes paradigm shifts for fashion's role by providing creative alternatives to satisfy materialistic needs and desires; skill-learning, fashion-hacking, and DIY as active resistance to consumerism. Implementing collaboration and communication, Ophir aims to lead a sea change--she believes that, if done correctly, fashion can excite positive change.Ophir holds a B.Ed in Interdisciplinary-Design and Secondary-Education from Kibbutzim College and an MFA in Collaborative Design from PNCA. Her lectures have won several contests and her work has been showcased in fashion shows, art galleries, and publications worldwide. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1616452983891-MXMW8VDINA44VFOQ1J2I/Kristin%2BBuabin.jpg Artists in Conversation - Kristen Buabin Watch Now: Racial Stereotypes in Opera: Deconstructing Racial Coding in Classical Music. Texas born Soprano Kristen Buabin is a multidisciplined soprano, teacher, and DEI consultant. She shines in dramatic and comedic roles onstage and is dedicated to fighting for equity for singers in the classical music sector. Ms. Buabin joined the Boston Singers’ Resource in 2020 as the nonprofit’s first Diversity, Equity, and Inclusion coordinator. This year she hopes to host a series of antiracism and decolonization listening sessions with Boston music professionals, increase accessibility at all BSR events, and create partnerships with college interest groups. The Boston based soprano is known for her warm, luscious tone and sparkling coloratura. Kristen received her MM in Opera Performance from Longy School of Music in Cambridge, Massachusetts. There she performed the role of Paride from Gluck’s Paride ed Elena, selections from Don Giovanni (Donna Anna), and scenes from Die Fledermaus (Rosalinde). https://www.renegadeopera.org/intro daily 0.75 2020-10-23 https://www.renegadeopera.org/timeline daily 0.75 2020-10-20 https://www.renegadeopera.org/sl-wilkes2022b daily 0.75 2020-10-22 https://www.renegadeopera.org/sm-wilkes2008 daily 0.75 2020-10-22 https://www.renegadeopera.org/p-thompson2003 daily 0.75 2020-10-21 https://www.renegadeopera.org/v-booth2024 daily 0.75 2020-10-22 https://www.renegadeopera.org/sl-wilkes2022r daily 0.75 2020-10-22 https://www.renegadeopera.org/f-tito2028 daily 0.75 2020-10-22 https://www.renegadeopera.org/p-thompson2027 daily 0.75 2020-10-22 https://www.renegadeopera.org/sm-wilkes2028 daily 0.75 2020-10-22 https://www.renegadeopera.org/f-tito2027 daily 0.75 2020-10-22 https://www.renegadeopera.org/a-liebermann2028 daily 0.75 2020-10-22 https://www.renegadeopera.org/v-booth2027 daily 0.75 2020-10-22 https://www.renegadeopera.org/welcome3 daily 0.75 2020-10-18 https://www.renegadeopera.org/welcome1 daily 0.75 2020-10-18 https://www.renegadeopera.org/credits daily 0.75 2020-10-24 https://www.renegadeopera.org/orfeo-in-underland daily 0.75 2022-11-17 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1627666760743-8VSSM15S2Q9PBDAH4EX5/Blessed%2BSpirit%2Band%2BOrfeo.jpg 2021: Orfeo in Underland - Make it stand out Photo by Tom Lupton https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1629394862016-WQ5K2LLWQ10RX74T9JJ6/4X7A9150-Edit.jpg 2021: Orfeo in Underland https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1629394647539-GKELAFSEWF73A5WPXKB5/4X7A0561.jpg 2021: Orfeo in Underland https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/1629394476154-0GVB8ZLH55AH05E3OWRD/4X7A8989.jpg 2021: Orfeo in Underland 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difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/35305a92-0aa9-4cd2-a023-4834eb5e66f3/sd_teaser_V1.0.png Past Events Archive - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.renegadeopera.org/2024-opera-for-all daily 0.75 2024-05-18 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/09ed9a86-190f-4732-a344-cbfdb17a0c06/library.jpeg 2024: Opera for All - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.renegadeopera.org/2024-black-opera-a-recital daily 0.75 2024-10-02 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/38e06d5f-6120-4a56-9f7a-ed350cca5de5/8.jpg 2024: Black Opera: A Recital - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.renegadeopera.org/our-impact daily 0.75 2024-07-17 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/f3f1bab7-5986-4af6-b2c0-4d0095d14938/20240413_RenegadeOpera_Renegala-75.jpg Our Impact Renegala 2024 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/85861931-c544-4aed-a186-13083aed95fe/2O5A6665-Edit-2.jpg Our Impact - Make it stand out She Loves You Back 2023 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/0da5553f-75d7-49c7-a226-68d690d19fc9/LUPTON---18.jpg Our Impact - Make it stand out Adam’s Run 2023 https://www.renegadeopera.org/orlofskys-party-program daily 0.75 2024-09-26 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/442b7c95-15bb-4a46-8c3e-8db904e6f357/Orlofsky%E2%80%99s+Party+New+Image.png Orlofsky's Party Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/54c843cf-fdf4-422b-9301-834da9ad7ada/Jasmine+Headshot.jpg Orlofsky's Party Program - Falke Jasmine Johnson made her professional role debut in 2022 with West Edge Opera as Nireno in Giulio Cesare. In 2023 she was seen on stage with Portland Opera as Third Wood-Sprite in Rusalka. Ms.Johnson has a passion for performing new operas and works. Driven by an insatiable thirst for growth Ms.Johnson now aspires to deepen her impact on the opera world. After completing a year as a Portland Opera resident artist Ms.Johnson started a leadership fellowship at the Portland Opera. Where opera singers learn how to transition their artistic skill set into leadership skills while continuing to perform. This pursuit stems from her desire to refine her leadership skills so that she can contribute to the artistic community in a positive and impactful way, and foster the next generation of opera enthusiasts. She is most excited about her new appointment as a board member for Renegade Opera. Jasmine Johnson is currently at Portland Opera as the Corporate Relations Manager where she is raising funds for the arts. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/24ff9a2a-7a05-4e95-9760-e7a14ece48ad/TZ6A7554+-+Emily+Way.jpg Orlofsky's Party Program - Rosie Hailed as “captivating in her performance” (The Register-Guard, Eugene OR) and “lovely… with a well-focused tone” (Opera News), Emily Evelyn Way is a lyric coloratura soprano based in the Pacific Northwest. She was most recently seen as Sandman/Dew Fairy in Hansel and Gretel with Eugene Opera, as the Soprano in Renegade Opera’s production She Loves You Back, as Zina in Dark Sisters with OrpheusPDX, Madame Herz in Der Schauspieldirektor in a joint production with Opera Bend and the Central Oregon Symphony, in recital at Oktoberfest in Mt. Angel, Oregon, and in concert with Ping and Woof Opera, singing works from L’Elisir d’Amore, Don Pasquale and La Traviata. Past roles include Adina in L’Elisir d’Amore (Opera Bend), Adele in Die Fledermaus (Eugene Opera), Laurie in The Tender Land, Héro in Berlioz’s Béatrice et Benedict (Eugene Opera), Beth in Little Women (Eugene Opera, Astoria Music Festival), Flora in The Turn of the Screw (Eugene Opera, Opera on the Avalon), and Carrie Pipperidge in Carousel (Opera on the Avalon). Ms. Way has also served as the cover for Violetta in La Traviata (Amore Opera) and Lucia in Lucia di Lammermoor (New York Opera Exchange). Other notable operatic roles include Königin der Nacht, Nanetta, and Zerlina, among others. Notably, Ms. Way made her Mexican debut as the Soprano Soloist in Carmina Burana with the Festival Alfonso Ortiz Tirado in Alamos, Mexico, which was broadcast nationally. She has performed in concert with Portland Choir and Orchestra, Music at the Gate in Queens, NY and multiple recital series throughout the country. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/68be5d77-6324-46cc-9824-97c87edc7207/clairer-p+-+Claire+Robertson-Preis.jpeg Orlofsky's Party Program - Orlofsky Claire Robertson-Preis is a mezzo-soprano, arts administrator, educator, and writer in Portland, OR. In 2024, Claire’s “smooth alto intonement” (Oregon ArtsWatch) shone with Portland Symphonic Choir as the Alto Soloist for a world-premiere dance and choral performance of Rachmaninoff’s Vespers. In 2023, they also devised and performed in Renegade Opera’s She Loves You Back. Other recent onstage appearances in Portland include Norah/Alto Chorus in Renegade Opera's innovative outdoor production of Orfeo in Underland (2021) and Second Lady in Aquilon Music Festival’s production of The Magic Flute (2019). As a choral musician, Claire is on Portland Symphonic Choir’s roster since 2021 and has performed with Resonance Ensemble. Selected past credits from her time as a soprano include: Sam-I-Am in the WV Opera Outreach program of Green Eggs and Ham, and First Lady in the WVU Mainstage production of The Magic Flute (2019). In addition to performing, Claire has also stepped into directing, serving as music director for RHS Opening Act Theatre’s Addams Family (2024), Failure: A Love Story (2023), and Mamma Mia! (2022). Having grown up in Texas and Montana, Claire's connection to music, art, and the environment has been deeply influenced by rural landscapes. Her performances and writing examine the connections between people, our creativity and the places we shape with our actions. When not singing, Claire enjoys hiking, paddleboarding, and trying something new (most recently, stand-up comedy). www.clairerobertsonpreis.com https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/433020e1-4d2e-426b-a1ec-df6d21794d8b/Screenshot+2024-09-25+at+11.33.24%E2%80%AFPM.png Orlofsky's Party Program - Adele Abigail Krawson is dynamic performer, an engaging educator, and a passionate producer of innovative opera and vocal performances. In the 2023-24 season, Abby was a soloist at The JUDY with Renegade Opera, reprising her Mourning Dove portrayal in Bird Songs of Opera, a soloist at Lake Grove Presbyterian Church for Handel’s Messiah with members from the Oregon Symphony, and co-created a new collection of musical selections for Tapestry, a duo concert with LaRiche Lamar. Abby also curated 2 recitals called From the Vault for the Portland Symphonic Choir. She sang in the choruses of Le Nozze di Figaro and a Puccini concert with Portland Opera, a world premiere production of Rachmaninoff's Vespers, a holiday concert, and Beethoven's 9th Symphony with Portland Symphonic Choir. She also joined the Vancouver Master Chorale as the soprano soloist in Poulenc's Gloria. And to end the season, she wrote and directed a musical theater camp and performance for 4th-9th graders at Lake Grove. In the 2022-23 season, she portrayed the Mourning Dove in Renegade’s Bird Songs of Opera, sang a duo concert called Tapestry with friend and vocalist, LaRiche Lamar, and commissioned a new choral work by local composer, Cecille Elliott, for her youth choir. In the 2021-22 season she sang Vivaldi's Gloria and Mozart's Vespers Solennes de Confessore with Eugene Concert Choir, was the soprano Flower in Blythely Ever After, a rock/opera cabaret with Stephanie Blythe at Boston Lyric Opera, and performed with OrpheusPDX as Proserpina in Monteverdi's L'Orfeo. Prior to 2020, Abigail sang Adele in Die Fledermaus with Amarillo Opera, Suor Genovieffa in Suor Angelica with Opera West, joined both The Phoenix Theatre (Sound of Music) and Arizona Opera (La Bohème) as an ensemble member, and took First Prize at the Southwest Vocal Competition. Past season highlights include the saucy Musetta in La Bohème, the vocally punishing, but ever charming Zerbinetta in Richard Strauss’ Ariadne auf Naxos, the charming Marzelline in Fidelio, and Adamo’s heart-wrenching Beth in Little Women. And on the concert stage, she has performed the solos in Strauss’ Brentano Lieder, Mozart's Requiem,and Brahms' Requiem. abigailkrawson.com https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/6b64bd82-813a-4d17-84b4-4786bec0b887/Jesse+headshot+-+Jess+Preis.jpg Orlofsky's Party Program - Gabe Eisenstein Jesse Preis is a tenor, pianist, and composer, originally from Emblem, Wyoming. Jesse graduated from the University of Montana in 2016 with a BM in Piano Performance & Pedagogy and a BA in Vocal Performance and studied voice abroad in Graz, Austria (The American Institute of Musical Studies) during the summers of 2016. In 2019, Jesse completed an M.M. Vocal Performance at West Virginia University. After relocating to Portland, Jesse has worked as a piano teacher at Hoffman Academy and Lydian Music Studios, the Director of Music Ministry at Prince of Life Lutheran Church and Spirit of Life Lutheran Church, and as a freelance accompanist. They have collaborated with Renegade Opera as a pianist on works such as La clemenza di Tito (2022) and She Loves You Back (2023), they performed with the Lutheran Chorale Association during their 2023 Summer Season, and have collaborated with other church and community choirs in Oregon, West Virginia, and Montana. As a tenor, Jesse has appeared as Perry in Orfeo in Underland (Renegade Opera), Parpignol in La boheme Warhola (Pittsburgh Festival Opera), the First Priest and Armored Guard in The Magic Flute (WVU), and roles in numerous opera scenes productions. In addition to their performing career, Jesse's compositions have been performed by the Northwest Civic Orchestra (Powell, WY), Portland Symphonic Choir, and Renegade Opera. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/e856e0c9-77ac-45db-b022-2e8f2bdc593c/Screenshot+2024-09-26+at+9.16.55%E2%80%AFAM.png Orlofsky's Party Program - Catalyst Artist Friday Soloist Sophia Plath is currently a Sophomore at ACMA High School in Beaverton. She started acting in Kindergarten with one of NWCT’s classes . She has been with NWCT’s Catalyst since 2021. Prior to that she was part of NWCT’s Kids Co and Studio Jr. She has played various roles in their camps - Les Mis, Anything Goes, Into the Woods, Beauty and the Beast, Anastasia and was part of their production of Cinderella. At ACMA, she has been in their productions of Footloose (Ethel), The Drowsy Chaperone (Mrs. Tottendale), Little Shop of Horrors (Mrs. Mushnik), Percy Jackson and the Lightning Thief (Annabeth) and Chicago (ensemble). She is excited and grateful to have the opportunity to work with Renegade Opera, and hopes you enjoy the show. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/eefef2ac-c17d-4c19-8f58-40b2f3c7fa7e/Yuyoun+Choi.JPG Orlofsky's Party Program - Catalyst Artist Friday Soloist Yuyoun Choi is currently a sophomore at Westview High School in Beaverton. He loves doing shows and theater in general. At his high school he has done Schoolhouse Rock (George), and Little Women (Laurie). Yuyoun does a lot of community theater as well with NWCT and other theater companies. Recently he has done Beauty and the Beast (Lumiere) and Newsies Jr. with NWCT, Fiddler on the Roof (Motel) with Broadway Rose, and is currently doing Sweeney Todd (Anthony) at STAGES. He is thrilled to be a part of this project with professionals and loved working with his peers on this project. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/75a6c1ae-2c09-4cc5-85a4-d8966f0c774e/Screenshot+2024-09-26+at+10.32.40%E2%80%AFAM.png Orlofsky's Party Program - Catalyst Artist Saturday Soloist Sydney Jordan has always enjoyed all things theatrical, and has participated in many productions, like Les Mis, She Kills Monsters, and A Chorus Line at Northwest Children's Theater and recently she participated in the 25th Annual Putnam County Spelling Bee and Into the Woods at Lincoln High School. When she’s not immersed with a theater production, Sydney loves to sing, read, write and spend time with her friends and family. Sydney is excited to join the incredibly talented performers at Renegade Opera and Northwest Children’s Theater. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/287037f5-ea5d-4785-a224-50f996ae44a0/Screenshot+2024-09-26+at+9.19.48%E2%80%AFAM.png Orlofsky's Party Program - Catalyst Artist Saturday Soloist Maxine Nuesa has been involved with performing arts since age 7. Recent credits include Rudolph The Red-Nosed Reindeer at Northwest Children’s Theater, Fiddler On the Roof and Big Fish at Broadway Rose Theater Company, The Addams Family at Lovegood Performing Arts Company, and Mary Poppins at Southridge High School. In her free time she enjoys playing guitar, knitting, and listening to music. Maxine is incredibly grateful for the opportunity to work with Renegade Opera, and hopes you enjoy the show! https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/7fd2957a-08e1-4aeb-a08e-8298cf241002/Asher_2024_Print-4.jpg Orlofsky's Party Program - Catalyst Artist Sunday Soloist Asher Smith is a freshman at Cleveland High School and a member of NWCT’s Catalyst Company and Oregon Children’s Theatre’s Young Professionals Program. She is thrilled to be performing with such talented artists in her first opera. She was most recently seen playing Yellow Dog in NWCT’s mainstage production of Go Dog, Go! And her other credits include Katherine in Newsies! Jr. (Da Vinci Arts Middle School), Eli in the immersive production of !SLASH! (The Reformers), Ensemble in Cinderella (NWCT Catalyst), and Babette in Beauty & the Beast Jr. (Da Vinci Arts Middle School). When Asher is not performing, she can be found rehearsing for her next show, A Christmas Story with Lakewood Theatre. Big thanks to Maddy Ross, Sarah Jane Hardy and Dustin Brown for their training and direction. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/87eb2d06-4d52-482b-a424-3ac92564d471/Screenshot+2024-09-26+at+9.18.01%E2%80%AFAM.png Orlofsky's Party Program - Catalyst Artist Sunday Soloist Judah Haynes, a senior at Tigard High School, is thrilled to be performing with Renegade Opera! Recent performances include Company, Crazy For You, and Newsies Jr with Catalyst, Head Over Heels and The Book of Will at THS, and Something Rotten! with YPTP. In his free time, Judah enjoys hiking, reading, and noodling around on the piano. Many thanks to his family, friends, educators, and the fabulous members of this company who’ve made this show possible. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/4e3dc879-f7af-4b8a-a9c1-fd15651c7d7d/DSC07589_PORA_Edward_Edits_1+%281%29+-+Edward+Forstman.jpg Orlofsky's Party Program - Music Director Claire Forstman is a pianist and vocal coach currently based in Portland, Oregon, where she is in her second year as a member of the Resident Artist studio at Portland Opera. In the ’24-’25 season, she will be the principal pianist for the company’s production of Falstaff, play orchestral keyboards for Paul Moravec’s The Shining, and lead the studio’s scenes program and aria showcase as Music Director. Last season, she was principal pianist and orchestral keyboardist for Portland Opera’s Puccini: In Concert, offstage conductor for Joel Thompson’s The Snowy Day, and second pianist for the cabaret concert Enchanted Woods and the company’s production of Le Nozze di Figaro. Claire’s 2024 summer season features work with the Oregon Bach Festival as a rehearsal pianist and continuo player; OrpheusPDX, playing continuo for Handel’s Aci, Galatea e Polifemo; Vashon Opera, as a repetiteur for Verdi’s Otello; and Renegade Opera, as Music Director for Orlofsky’s Party, a reimagining of Die Fledermaus. She is a sought-after local and regional pianist, serving last season as a repetiteur for Renegade Opera’s workshop of the revue-style American Patriots and Opera Bend’s production of La Traviata, as well as being a regular collaborator with the Portland Symphonic Choir and an accompanist for Opera in the Park and Portland’s Opera on Tap. This fall, she will be the Music Director for David Conte’s The Gift of the Magi at Portland State University. Before moving to Portland, Claire held studio residencies at the Florentine Opera, Opera Steamboat, and Finger Lakes Opera, and additionally coached at Chicago Summer Opera, dell’Arte Opera Ensemble, and Sarah Lawrence College. Her past seasons of work have included Rigoletto (Florentine Opera), Massenet’s Cendrillon (Chicago Summer Opera), L’enfant et les sortilèges (Florentine), La bohème (Florentine), Gianni Schicchi (Opera Steamboat), Missy Mazzoli’s Proving Up (Steamboat), the premiere of a new arrangement of Così fan tutte by composer Nicolas Benavides and librettist Kelly Rourke (Florentine), the premieres of Carla Lucero’s Juana (dell’Arte Opera Ensemble), Whitney George’s Julie (New Camerata Opera), Fizz & Ginger (The Curiosity Cabinet) and Princess Maleine (dell’Arte), Roméo et Juliette (Florentine), Agrippina (CSO), and Il barbiere di Siviglia (Florentine; Finger Lakes Opera), among others. In addition to vocal collaboration, Claire works as a dance accompanist for BodyVox dance company and the Oregon Ballet Theatre School, and worked previously for the Milwaukee Ballet School and Academy. She earned her M.M. in Contemporary Performance from the Manhattan School of Music and a B.M. in Piano Performance from the Eastman School of Music. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/d6594659-52dc-42a5-9093-91efd55e7a07/IMG_3053+-+Annabel+Cantor.jpg Orlofsky's Party Program - Stage Director Annabel Cantor https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/62ce7df0-d0d7-454e-99a1-526ec017e09c/maddy+head+shot+%281%29.jpg Orlofsky's Party Program - Production Manager Executive Director Madeline Ross brings her dedication to immersive, relevant operatic storytelling, accessibility, and equity to her work at Renegade Opera. Ms. Ross has over 10 years of theater production experience, previously founding and serving as Executive Director for Promenade Opera Project in Boston, MA. Ms. Ross’ skills as an administrator, producer, and performer inform all aspects of her career in the arts. Praised for her “brilliant coloratura voice,” “world class” stage presence, and thrilling versatility, Madeline Ross has been seen most recently making her Portland Opera debut as the First Woodspite in Dvorak’s Rusalka and as the Northern Flicker in Bird Songs of Opera with Renegade Opera. She made her Carnegie Hall debut in 2019 as a jazz soloist where she “scatt[ed] to beat the band” (NY Concert Review). Ms. Ross has also performed with Resonance Ensemble, The Oregon Symphony, 45th Parallel, Opera Theater Oregon, Shaking the Tree Theatre, and was recently hailed for “effortlessly nailing” her performance as Queen of the Night in Mozart’s Die Zauberflöte (Oregon ArtsWatch). She won first prize at the National Association of Teachers of Singing Classical Voice Competition in 2020, the Annemarie Gertz Prize at the 2024 NATS Artist Awards, and was honored to take part in a performance at the Kennedy Center in Washington D.C. premiering An African American Requiem by Damien Geter with Resonance Ensemble and NEWorks Philharmonic Orchestra. Recent engagements include three role debuts, as Tamiri in Mozart’s Il re pastore and as Lucinda in Nico Muhly’s Dark Sisters with Orpheus PDX (Summer 2023), and as Clorinda in Rossini’s La Cenerentola with Portland Opera (Fall 2023). madelinelross.com https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/631ad9a9-f778-4406-bc0d-d01e4a4ca834/Henry_headshot-768x768.jpg Orlofsky's Party Program - Henry Martin Stage Manger & Lighting Designer https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/7f9989c4-5ad1-49f8-b9b6-a09ebc196b60/Allison+Sept.jpeg Orlofsky's Party Program - Set & Props Designer Allison Sept is a multimedia artist with a penchant for all things fantastical, experimental and peculiar. Words, pen and ink, photographs, clay, flowers, sounds, paper mache, and bits of nature are all mediums represented in her recent creative explorations. Her floral design work can be found under the name, Friends with Flowers. Allison resides in a blue house in Portland Oregon with her partner, and her dog. Most days you can find her in her backyard daydreaming. She is thrilled for this opportunity to be involved in a Renegade Opera! https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/b2aec46a-4b23-43d0-88a6-696163cf6ebc/Akitora_Headshot_4882_8x10-scaled+%281%29.jpg Orlofsky's Party Program - Projection Designer Akitora Ishii https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/bdf1b088-0575-4178-890a-85ed305d8798/Moth+Noriega.jpg Orlofsky's Party Program - Costume Designer Moth Noriega is a Chicanx costumer, researcher, and artist based in Portland. Moth has always been fascinated by fashion as a powerful tool for self-expression and discovered their love for sewing & costuming as a teenager. They received their BA in Sociology and Classical Studies from Portland State University in 2023 and their background as a sociologist greatly informs their work in theater, approaching costume design as a medium to explore & reflect upon our complex identities, cultural narratives, and social dynamics. Previous credits include Blood Wedding at Shaking the Tree (Assistant Costume Designer), A Dream Play at PSU (Costumer), and Clinton Street Cabaret (Makeup & Costume Manager 69th Term). Orlofsky’s Party is their first time designing an opera and they are deeply grateful for the opportunity. mothnoriega.com https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/d00ef64b-49e0-4b07-a1a7-dcfd910f8f5a/Blue+and+Beige+World+Book+Day+Modern+Instagram+Post+%281%29.jpg Orlofsky's Party Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/afd17de5-ebca-4e1b-940e-10b7103a8f94/download+%281%29.png Orlofsky's Party Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.renegadeopera.org/the-raven-digital-program daily 0.75 2024-11-10 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/4c42d3d0-e543-460f-b4ed-fbfaa1e126a1/Raven+graphic.png The Raven Digital Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/68be5d77-6324-46cc-9824-97c87edc7207/clairer-p+-+Claire+Robertson-Preis.jpeg The Raven Digital Program - Current Narrator Claire Robertson-Preis is a mezzo-soprano, arts administrator, educator, and writer in Portland, OR. In 2024, Claire’s “smooth alto intonement” (Oregon ArtsWatch) shone with Portland Symphonic Choir as the Alto Soloist for a world-premiere dance and choral performance of Rachmaninoff’s Vespers. In 2023, they also devised and performed in Renegade Opera’s She Loves You Back. Other recent onstage appearances in Portland include Norah/Alto Chorus in Renegade Opera's innovative outdoor production of Orfeo in Underland (2021) and Second Lady in Aquilon Music Festival’s production of The Magic Flute (2019). As a choral musician, Claire is on Portland Symphonic Choir’s roster since 2021 and has performed with Resonance Ensemble. Selected past credits from her time as a soprano include: Sam-I-Am in the WV Opera Outreach program of Green Eggs and Ham, and First Lady in the WVU Mainstage production of The Magic Flute (2019). In addition to performing, Claire has also stepped into directing, serving as music director for RHS Opening Act Theatre’s Addams Family (2024), Failure: A Love Story (2023), and Mamma Mia! (2022). Having grown up in Texas and Montana, Claire's connection to music, art, and the environment has been deeply influenced by rural landscapes. Her performances and writing examine the connections between people, our creativity and the places we shape with our actions. When not singing, Claire enjoys hiking, paddleboarding, and trying something new (most recently, stand-up comedy). www.clairerobertsonpreis.com https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/31f08b5c-d724-462a-ab13-7b15a8fed498/Screenshot+2024-11-07+at+5.47.39%E2%80%AFPM.png The Raven Digital Program - Past Narrator Abigail Krawson is dynamic performer, an engaging educator, and a passionate producer of innovative opera and vocal performances. In the 2023-24 season, Abby was a soloist at The JUDY with Renegade Opera, reprising her Mourning Dove portrayal in Bird Songs of Opera, a soloist at Lake Grove Presbyterian Church for Handel’s Messiah with members from the Oregon Symphony, and co-created a new collection of musical selections for Tapestry, a duo concert with LaRiche Lamar. Abby also curated 2 recitals called From the Vault for the Portland Symphonic Choir. She sang in the choruses of Le Nozze di Figaro and a Puccini concert with Portland Opera, a world premiere production of Rachmaninoff's Vespers, a holiday concert, and Beethoven's 9th Symphony with Portland Symphonic Choir. She also joined the Vancouver Master Chorale as the soprano soloist in Poulenc's Gloria. And to end the season, she wrote and directed a musical theater camp and performance for 4th-9th graders at Lake Grove. In the 2022-23 season, she portrayed the Mourning Dove in Renegade’s Bird Songs of Opera, sang a duo concert called Tapestry with friend and vocalist, LaRiche Lamar, and commissioned a new choral work by local composer, Cecille Elliott, for her youth choir. In the 2021-22 season she sang Vivaldi's Gloria and Mozart's Vespers Solennes de Confessore with Eugene Concert Choir, was the soprano Flower in Blythely Ever After, a rock/opera cabaret with Stephanie Blythe at Boston Lyric Opera, and performed with OrpheusPDX as Proserpina in Monteverdi's L'Orfeo. Prior to 2020, Abigail sang Adele in Die Fledermaus with Amarillo Opera, Suor Genovieffa in Suor Angelica with Opera West, joined both The Phoenix Theatre (Sound of Music) and Arizona Opera (La Bohème) as an ensemble member, and took First Prize at the Southwest Vocal Competition. Past season highlights include the saucy Musetta in La Bohème, the vocally punishing, but ever charming Zerbinetta in Richard Strauss’ Ariadne auf Naxos, the charming Marzelline in Fidelio, and Adamo’s heart-wrenching Beth in Little Women. And on the concert stage, she has performed the solos in Strauss’ Brentano Lieder, Mozart's Requiem,and Brahms' Requiem. abigailkrawson.com https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/57e1f827-cbdd-4f60-add4-bcb396e75180/Madeline+Ross+-+Rachel+Hadiashar.jpg The Raven Digital Program - The Raven “Tiny powerful soprano”, Madeline Ross was most recently seen as The Girl/Luna in David Hertzberg's The Rose Elf with OrpheusPDX and was awarded the Anne Marie Gerts Prize at the National Finals of the NATS Artist Awards. Praised for her “brilliant coloratura voice,” “world class” stage presence, and thrilling versatility, Ms. Ross has performed all over the US, most often performing in the NW. In 2023 Ms. Ross made her Portland Opera debut as the First Woodsprite in Dvorak’s Rusalka, made her Music of Remembrance (Seattle, WA) Debut as the Daughter in the world premiere of Qaqnus by Sahba Aminikia, and gave “a supreme performance” of Ligeti’s Mysteries of the Macabre that was “simultaneously intense, dramatic, and humorous” with Cascadia Composers. Ms. Ross’s 2023 season also included role debuts as Tamiri in Il Re Pastore by Mozart and Lucinda in Dark Sisters by Nico Muhly with OrpheusPDX. She was hailed for “effortlessly nailing” her performance as Queen of the Night in Mozart’s Die Zauberflöte and has performed with Portland Opera, The Oregon Symphony, Fear No Music, Resonance Ensemble, 45th Parallel, All Classical RadioOpera Theater Oregon, Shaking the Tree Theatre, and Music of Remembrance. She won first prize at the National Association of Teachers of Singing Classical Voice Competition in 2020 and was honored to take part in a performance at the Kennedy Center in Washington D.C. premiering Damian Geter’s An African American Requiem with Resonance Ensemble and NEWorks Philharmonic Orchestra. She made her Carnegie Hall debut in 2019 as a jazz soloist where she “scatt[ed] to beat the band” (NY Concert Review). Ms. Ross is a founder and Executive Director of Renegade Opera, Portland, Oregon’s unconventional and accessible opera company! www.madelinelross.com | www.renegadeopera.org https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/24ff9a2a-7a05-4e95-9760-e7a14ece48ad/TZ6A7554+-+Emily+Way.jpg The Raven Digital Program - Pianist Hailed as “captivating in her performance” (The Register-Guard, Eugene OR) and “lovely… with a well-focused tone” (Opera News), Emily Evelyn Way is a lyric coloratura soprano based in the Pacific Northwest. She was most recently seen as Sandman/Dew Fairy in Hansel and Gretel with Eugene Opera, as the Soprano in Renegade Opera’s production She Loves You Back, as Zina in Dark Sisters with OrpheusPDX, Madame Herz in Der Schauspieldirektor in a joint production with Opera Bend and the Central Oregon Symphony, in recital at Oktoberfest in Mt. Angel, Oregon, and in concert with Ping and Woof Opera, singing works from L’Elisir d’Amore, Don Pasquale and La Traviata. Past roles include Adina in L’Elisir d’Amore (Opera Bend), Adele in Die Fledermaus (Eugene Opera), Laurie in The Tender Land, Héro in Berlioz’s Béatrice et Benedict (Eugene Opera), Beth in Little Women (Eugene Opera, Astoria Music Festival), Flora in The Turn of the Screw (Eugene Opera, Opera on the Avalon), and Carrie Pipperidge in Carousel (Opera on the Avalon). Ms. Way has also served as the cover for Violetta in La Traviata (Amore Opera) and Lucia in Lucia di Lammermoor (New York Opera Exchange). Other notable operatic roles include Königin der Nacht, Nanetta, and Zerlina, among others. Notably, Ms. Way made her Mexican debut as the Soprano Soloist in Carmina Burana with the Festival Alfonso Ortiz Tirado in Alamos, Mexico, which was broadcast nationally. She has performed in concert with Portland Choir and Orchestra, Music at the Gate in Queens, NY and multiple recital series throughout the country. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/6b64bd82-813a-4d17-84b4-4786bec0b887/Jesse+headshot+-+Jess+Preis.jpg The Raven Digital Program - Composer Jesse Preis is a tenor, pianist, and composer, originally from Emblem, Wyoming. Jesse graduated from the University of Montana in 2016 with a BM in Piano Performance & Pedagogy and a BA in Vocal Performance and studied voice abroad in Graz, Austria (The American Institute of Musical Studies) during the summers of 2016. In 2019, Jesse completed an M.M. Vocal Performance at West Virginia University. After relocating to Portland, Jesse has worked as a piano teacher at Hoffman Academy and Lydian Music Studios, the Director of Music Ministry at Prince of Life Lutheran Church and Spirit of Life Lutheran Church, and as a freelance accompanist. They have collaborated with Renegade Opera as a pianist on works such as La clemenza di Tito (2022) and She Loves You Back (2023), they performed with the Lutheran Chorale Association during their 2023 Summer Season, and have collaborated with other church and community choirs in Oregon, West Virginia, and Montana. As a tenor, Jesse has appeared as Perry in Orfeo in Underland (Renegade Opera), Parpignol in La boheme Warhola (Pittsburgh Festival Opera), the First Priest and Armored Guard in The Magic Flute (WVU), and roles in numerous opera scenes productions. In addition to their performing career, Jesse's compositions have been performed by the Northwest Civic Orchestra (Powell, WY), Portland Symphonic Choir, and Renegade Opera. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/3007592a-732e-4d03-973e-ef0fe0a3c09a/EmilyTrimbleHeadshot.jpg The Raven Digital Program - Stage Manager Emily Trimble is excited to be working with Renegade Opera for the first time. Originally from Texas, she graduated from UT Dallas and worked in Dallas for a few years at companies such as Undermain Theatre, WaterTower Theatre, and Dallas Children’s Theatre. She moved to Portland in 2012 and has since Stage Managed for Bag&Baggage Productions, Corrib Theatre, Broadway Rose, OPS Fest, and Oregon Children's Theatre. Some of her favorite shows she has stage managed have been In This Corner: Cassius Clay; A Year with Frog and Toad; Naked Mole Rat Gets Dressed; and The Great Gatsby. When at home she can be found watching bad action movies with her husband, playing with her two cats, or doing a variety of fiber arts. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/41ab8f0b-bd23-4daa-a699-e53d3282c547/Screenshot+2024-11-09+at+8.12.00%E2%80%AFAM.png The Raven Digital Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.renegadeopera.org/little-ones-digital-program daily 0.75 2024-11-10 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/02898fa9-fdca-4d11-8370-c2d3cdcf54f0/Copy+of+little+ones+poster.png Little Ones Digital Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/57c8ee77-905d-4e36-b80b-4aab382d79f3/michelle.jpg Little Ones Digital Program - Marigold Canadian, Indigenous Mezzo-Soprano Michelle Lafferty (Tłichó Nation NorthWest Territories) now resides in Calgary Alberta. Dora award winner is Known for her ‘Powerful presence vocally and physically on stage’(Barczablog, 2023). Her continuing work with The Banff Centre for the Performing Arts program for Indigenous Classical Musicians Gathering and the continued work on Indigenous Musical Sovereignty. Also working with Calgary Opera on a new opera called “Namwayut.” An opera about Indigenous resilience. Her latest work is with Sound streams production of Two Odysseys Pimooteewin/Gállábártnit in 2020. In 2021 she has been part of project on improvisation lead by Parmela Attariwala, Germaine Liua and Nicole Ramperaud called Understory. Understory is a web-based, inter-provincial series dedicated to showcasing improvising artists working across Canada, and to building a network between the artists and their audiences. The piece performed and created between Understory, Viviane Houle, Danielle Jakubiak and Michelle called “We were children” came from around the time the 215 graves were found in Kamloops British Columbia and was taken from this project and shared Nationally on Truth and Reconciliation Day September 30th 2022. A Bandcamp was created for people to be able to purchase and all proceeds continue to go to residential school survivors. In 2022 she was a performer in “Kisaageetin” a concert of Tomson Highway’s with the National Arts Centre in Ottawa. “The Indigidivas” is her newest venture alongside Allegra Chamber Orchestra with Director Janna Sailor who provides production and financial support. The Indigidivas include Melody Courage, Rebecca Cuddy and Michelle Lafferty with performances starting in 2024. In 2023 she had her American debut in “Missing” performing the role of Native Mother with Anchorage Opera Alaska. Composed by Brian Current and libretti by Marie Clements. Currently working with Manitoba Opera in “Li Keur.” Libretto by Dr. Suzanne Steele and composition by Neil Weisensel/Alex Kusturok. https://www.michellelafferty.ca https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/9828d004-095a-4ee6-a50f-fb3d948fb1ba/Taya-Dixon-1-scaled.jpg Little Ones Digital Program - Lily Taya Dixon (Siletz) received her B.F.A in Performance from Southern Oregon University. She was also the 2022 winner of the Yale Young Native Actors Award in memory of Misty Upham. You may have seen her recently inDiné nishłį́ (as Rosie) at the Native Theater Project; Convergence (as Dee) at Oregon Origins Project; Tartuffe (as Marianne); Our Utopia (as Columbia)at Bag&Baggage. Other roles include: Midsummer Night's Dream (as Demetrius); King Henry IV pt. 1-2 and Henry V (as Westmerland);and Two Gentlemen of Verona (as Lucetta) at Original Practice Shakespeare; The Muskrat (as Bee); 12 Angry Indians (as Juror 12); and Butterfly (as Ket) for the Yale Indigenous Playwright Festival. Also Hedda Gabler (as Aunt Julia); Love's Labour's Lost (as Berowne); Silkworms (Teresa); and Into the Woods (as Jack’s Mother) all at the Oregon Center for the Arts. Taya is currently a substitute teacher in Hillsboro, and absolutely loves it. Taya loves singing, photography, making people laugh, and telling meaningful stories. She would like to thank her family for always telling her to reach for her dreams (even if it means watching her talk to herself all day long, and quote movies and TV shows that she deems “the peak of comedy”). https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/57e1f827-cbdd-4f60-add4-bcb396e75180/Madeline+Ross+-+Rachel+Hadiashar.jpg Little Ones Digital Program - Mrs. Ross “Tiny powerful soprano”, Madeline Ross was most recently seen as The Girl/Luna in David Hertzberg's The Rose Elf with OrpheusPDX and was awarded the Anne Marie Gerts Prize at the National Finals of the NATS Artist Awards. Praised for her “brilliant coloratura voice,” “world class” stage presence, and thrilling versatility, Ms. Ross has performed all over the US, most often performing in the NW. In 2023 Ms. Ross made her Portland Opera debut as the First Woodsprite in Dvorak’s Rusalka, made her Music of Remembrance (Seattle, WA) Debut as the Daughter in the world premiere of Qaqnus by Sahba Aminikia, and gave “a supreme performance” of Ligeti’s Mysteries of the Macabre that was “simultaneously intense, dramatic, and humorous” with Cascadia Composers. Ms. Ross’s 2023 season also included role debuts as Tamiri in Il Re Pastore by Mozart and Lucinda in Dark Sisters by Nico Muhly with OrpheusPDX. She was hailed for “effortlessly nailing” her performance as Queen of the Night in Mozart’s Die Zauberflöte and has performed with Portland Opera, The Oregon Symphony, Fear No Music, Resonance Ensemble, 45th Parallel, All Classical RadioOpera Theater Oregon, Shaking the Tree Theatre, and Music of Remembrance. She won first prize at the National Association of Teachers of Singing Classical Voice Competition in 2020 and was honored to take part in a performance at the Kennedy Center in Washington D.C. premiering Damian Geter’s An African American Requiem with Resonance Ensemble and NEWorks Philharmonic Orchestra. She made her Carnegie Hall debut in 2019 as a jazz soloist where she “scatt[ed] to beat the band” (NY Concert Review). Ms. Ross is a founder and Executive Director of Renegade Opera, Portland, Oregon’s unconventional and accessible opera company! www.madelinelross.com | www.renegadeopera.org https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/3f6a4b9b-e832-4ab7-9f3b-37b136ddd920/amber+ball.jpeg Little Ones Digital Program - Ms. Ruby/Lunch Lady & Assistant Director Born in Portland, Oregon, Amber Kay Ball (Citizen of the Confederated Tribes of Siletz Indians) is a theatre maker, visual artist, and community-based advocate. As a contemporary Native multi-practice artist, Amber uses theatre, multimedia, and beadwork as mediums for sharing stories, truths, laughter and joy. These mediums allow them to critically explore, honor, and weave Native pasts, presents, and futures in a just and liberated format. Amber studied theater arts and Native American Studies at the University of Oregon where they were able to study theatrical arts abroad in London, England. Most recently Amber’s play, Finding BigFoot, was selected for the Fertile Ground PDX New Play festival and premiered as a staged reading at Barbies Village. Amber has previously directed with Red Eagle Soaring Native Youth Theatre as well as a workshop production of, Tipi Tales From the Stoop, at New York Theatre Workshop. Amber was a recipient of the Indigenous Place Keeping Artist Fellowship through the Confederated Tribes of Grand Ronde and received the Community Mentor Award from Southern Oregon University’s Native American Studies Department. Amber Kay Ball joined NACF in 2022 and supports the executive office planning and implementation as well as the program department. Amber is a passionate advocate, programmer and coordinator committed to serving and creating community through the arts. She has worked locally and regionally with arts organizations such as Safe Harbors NYC, Oregon Shakespeare Festival, Oregon Contemporary Theater and In the Margin. Amber studied Theatre Arts and Native American Studies at the University of Oregon. She is a citizen of the Confederated Tribes of Siletz. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/3f6be4b9-70c6-4e93-9eee-be5f66f48a25/Screenshot+2024-11-09+at+8.19.20%E2%80%AFAM.png Little Ones Digital Program - Victor Tristan Cameron joined NACF in the summer of 2024. They are responsible for assisting with building systems, maintenance, and the coordination of events and incoming artistic endeavours. Along with being a working actor with a BFA in Performance from Southern Oregon University, Tristan has a lot of passion for community building, advocacy through the arts, and Arts Administration. Just before joining the NACF team, Tristan completed a 2-year Arts Administration fellowship with Perseverance Theatre on Tlingit Aani (colonially known as Juneau, Alaska), and was a Coordinator for the Consortium of Asian American Theatre’s and Artists (CAATA) 2024 ConFest. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/04a65ba4-af27-4b76-86d3-389f9c67afb4/Robert_Franklin_Headshot_2022_469x469.jpg Little Ones Digital Program - Jackson Robert Franklin (Diné - Navajo Nation) is an associate producer at NACF since 2022 and supports the Public Affairs team with a range of experience in storytelling, graphic design, photography, videography, podcasting, streaming, branding, advertising, and marketing. Previously, Robert served as the Manager of the Native American Student and Community Center at Portland State University. He earned his BFA in Visual Communications, cum laude, with an emphasis in Graphic Design and a minor in Advertising from Northern Arizona University. He is an enrolled member of the Navajo Nation (Hashk’aa Hadzohí | Táchii’nii). https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/6b64bd82-813a-4d17-84b4-4786bec0b887/Jesse+headshot+-+Jess+Preis.jpg Little Ones Digital Program - Mr. Ross/Pianist Jesse Preis is a tenor, pianist, and composer, originally from Emblem, Wyoming. Jesse graduated from the University of Montana in 2016 with a BM in Piano Performance & Pedagogy and a BA in Vocal Performance and studied voice abroad in Graz, Austria (The American Institute of Musical Studies) during the summers of 2016. In 2019, Jesse completed an M.M. Vocal Performance at West Virginia University. After relocating to Portland, Jesse has worked as a piano teacher at Hoffman Academy and Lydian Music Studios, the Director of Music Ministry at Prince of Life Lutheran Church and Spirit of Life Lutheran Church, and as a freelance accompanist. They have collaborated with Renegade Opera as a pianist on works such as La clemenza di Tito (2022) and She Loves You Back (2023), they performed with the Lutheran Chorale Association during their 2023 Summer Season, and have collaborated with other church and community choirs in Oregon, West Virginia, and Montana. As a tenor, Jesse has appeared as Perry in Orfeo in Underland (Renegade Opera), Parpignol in La boheme Warhola (Pittsburgh Festival Opera), the First Priest and Armored Guard in The Magic Flute (WVU), and roles in numerous opera scenes productions. In addition to their performing career, Jesse's compositions have been performed by the Northwest Civic Orchestra (Powell, WY), Portland Symphonic Choir, and Renegade Opera. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/096a938b-4c23-478d-b31b-94ec24f15525/Headshot_Crop_Danielle+Jagelski.png Little Ones Digital Program - Composer/Music Director Danielle Jagelski (Oneida/Ojibweis) a composer, conductor, and creative producer. At home in both theatrical and orchestral realms, she is the Artistic Director and Co-Founder of Renegade Opera, Producer for First Nations Performing Arts, Associate Conductor of PROTESTRA, and Faculty at Manhattan School of Music Precollege. Her performances have been described: “At once timeless and of its time, it expands your heart and mind with every note, telling a story of grief and love that is as honest as it is hopeful.” (Oregon ArtsWatch) Danielle is an avid writer of song, opera, choral, musical theatre, and narrative stories of all kinds. Her most recent premieres have been by Voices of Ascension|Voices of the New, New Native Theatre, MUSE Cincinnati Women’s Choir, Hear Us Hear Them Ensemble, American Patriots Project, and Artemis Singers. She is the orchestrator for The Carlisle Project by Ronee Penoi and Annalisa Dias and works as music copyist for Jerod Impichchaachaaha' Tate. Her music has been performed throughout North America and Germany at notable venues such as Roulette Intermedium, Performance Space New York, The Green Room 42, and Shaking the Tree Theater. Equally at home on the podium, Danielle is sought out for her execution of new and contemporary works. Recent conducting engagements include Scalia/Ginsberg at Opera Ithaca, Tlingit Opera at Perseverance Theatre, Guest Conductor at Manhattan School of Music Symphony, Adam’s Run at Renegade Opera, Missing by Brian Current at Anchorage Opera, Dark Sisters by Nico Muhly at Temple University Opera Theater, National Music & Global Culture Society gala concert at Lincoln Center, Garden of Alice by Elizabeth Raum with City Lyric Opera (NYC), served as assistant conductor for Le nozze di Figaro at the Estates Theater (Prague, CZ), and conducted and arranged Gluck’s Orfeo ed Euridice for Renegade Opera (Portland, OR) Past engagements include working with ensembles such as the Opera Theatre Saint Louis, Stanford Symphony Orchestra, Rhymes with Opera, Manhattan School of Music Orchestra, and Norwalk Youth Symphony. A fierce advocate for equity in artistic spaces and enrolled citizen of the Oneida Nation/Red Cliff Band of Ojibwe, Danielle is especially passionate about Decolonization through collective creation and performance. She has presented her research in mixed-race studies and contemporary Indigenous music throughout the US and Canada. Danielle began her musical studies in classical composition at Hamline University with Jannika Vandervelde, conducting studies at Conservatorium van Amsterdam with Jos Vermunt, with further studies at Manhattan School of Music. Her mentors also include Timothy Long, George Manahan, and Reiko Fueting. Danielle is a member of the Dramatists Guild of America, Indigenous Media Guild, Girls Who Conduct, and has been the recipient of grants from Opera America (2024), Oregon Community Foundation (2024), The Plimpton Foundation (2022), Foundation for Contemporary Arts (2020), and Native Arts and Cultures (2020). She was granted 2nd place in the 2023 National Opera Association Awards for her work on Dark Sisters and was resident artist at Berkeley Repertory Theatre for the Ground Floor Summer Residency in 2024. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/6c77c07a-b45d-4798-a114-ba5e803d5f64/Screenshot+2024-11-07+at+5.40.34%E2%80%AFPM.png Little Ones Digital Program - Librettist/Director Rhiana Yazzie (Diné - Navajo Nation) is a 2021 Lanford Wilson and 2020 Steinberg award winning, playwright, director, a filmmaker, and the Artistic Director of New Native Theatre, which she started in 2009 as a response to the lack of connection and professional opportunities between Twin Cities theaters and the Native community. She is a 2018 Bush Foundation Leadership Fellow and was recognized with a 2017 Sally Ordway Award for Vision and has been a Playwrights’ Center fellow multiple times (McKnight 2016/17 & Jerome 2006 & 2010) and Core Member. A Navajo Nation citizen (Ta’neeszahnii bashishchiin dóó Táchii’nii dashinalí), she’s seen her plays on stages from Alaska to Mexico including in Carnegie Hall’s collaboration with American Indian Community House & Eagle Project. She has a new co-commissioned play in the works with Long Wharf Theatre and Rattlestick Theater. She is developing her play Nancy, about Nancy Reagan and her intersection with Indian Country in the 80s, astrology, and her little known about Native heritage. It is the sequel to Queen Cleopatre and Princess Pocahontas, a joint commission from the Oregon Shakespeare Festival and the Public Theater for American Revolutions: the United States History Cycle. Her first feature film, A WINTER LOVE (writer/dir/prod/actor) will premiere at festivals in 2021/22. Her non-profit company, New Native Theatre, based in the Twin Cities is a new way of looking at, thinking about, and staging Native American stories. Notable recent productions include the 2020 global indigenous online festival, Good Medicine, Native Man the Musical which was praised by the Twin Cities’ local Native American newspaper, The Circle News, “The paradigm of Native American manhood shifted with New Native Theatre’s production.” It was followed up by Native Woman the Musical. When New Native Theatre celebrated its Tenth Anniversary Season they premiered six mainstage plays, five of which were world premieres. Rhiana’s work in film includes being story editor for Babe Nation Films’ upcoming feature, The Way Out. She production coordinated for Dolly Well’s Good Posture (Tribeca 2019) and Musa Syeed’s, A Stray (SXSW 2016; MSP Int’l Film Festival “Best MN-Made Narrative Feature 2016”). Rhiana is a graduate of the Masters of Professional Writing Program at the University of Southern California where she had the pleasure to produce events that included lectures and concerts by Madeleine Albright, Herbie Hancock, Spaulding Grey, Paula Vogel, and Stephen Hawking. She has been passionate about working with the Barbara Schneider Foundation, an organization dedicated to training law enforcement and health care professionals about the process of recognizing and de-escalating people in a mental health crisis. She was a playwright in residence at the William Inge Center in Independence, Kansas, and has been in residence at the MacDowell Colony where she worked on new screenplays. Rhiana has written for young audiences; her play Chile Pod, about a Mixtec girl, commissioned by La Jolla Playhouse, toured to 18,000 youth in Southern California schools and communities. She has been a resident at the biennial Bonderman National Theatre for Youth Symposium and The Kennedy Center’s New Visions/New Voices. She is the three time winner of the Native Radio Theatre annual new play contest; her radio play The Best Place To Grow Pumpkins received an Honorable Mention at the ImagiNative Film Festival in Toronto for Best Radio. A few of Rhiana’s plays are published online in university libraries across the country through Alexander Street Press. A few of her other plays include Asdzani Shash: The Woman Who Turned into a Bear (finalist in the 2005 Bay Area Playwrights Festival; 1st annual Two Worlds Festival Native American Theatre, 2008); The Long Flight (translated into Spanish and pres the 30th World Congress of the International Theatre Institute – UNESCO in Tampico, Tamaulipas, Mexico; and a 2002 finalist for the Princess Grace Playwriting Award); This Land Had Seen War Before was published in a 2008 anthology, BIRTHED FROM SCORCHED HEARTS: WOMEN RESPOND TO WAR, edited by MariJo Moore that includes contributions from Amy Goodman, Paula Gunn Allen, and Matilde Urrutia. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/6c18436a-bd78-4cae-a287-a47f0332cd6a/DSC6347-scaled-e1667249952581.jpg Little Ones Digital Program - Additional Poetry Charli Fool Bear-Vetter (Yanktonai Dakota) (she/they) is a Two-Spirit and Yanktonai Dakota poet, storyteller, auntie, songwriter, multi- instrumentalist and vocalist from Cannon Ball & Porcupine, North Dakota on the Standing Rock Reservation. She was raised on the reservation by her relatives in a multi-generational home, which provided the foundation for her artistic philosophy of nurturing and strengthening community through the healing practice of storytelling. Her play, The Crickets Ate the Moon, was the runner-up of Yale Indigenous Performing Arts Program’s inaugural playwriting contest; it later received a staged reading at Dartmouth College. Charli won Dartmouth’s Susan Debevoise Wright award for her work on the play. She continues to write plays in collaboration with theatre companies like TruNorth Theatre and Sleepy Hollow Theatre in Bismarck, ND; and zAmya Theatre Project in Minneapolis, MN. Charli is currently living her dream of bringing theatre and arts to Native community as Senior Artistic Producer for New Native Theatre. Outside of theatre, Charli has been independently studying, writing, and recording music for over 15 years. You can find her original solo music on SoundCloud under @charlialexandr, and her band Disco Lessons on all social media platforms under @discolessons. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/3007592a-732e-4d03-973e-ef0fe0a3c09a/EmilyTrimbleHeadshot.jpg Little Ones Digital Program - Stage Manager Emily Trimble is excited to be working with Renegade Opera for the first time. Originally from Texas, she graduated from UT Dallas and worked in Dallas for a few years at companies such as Undermain Theatre, WaterTower Theatre, and Dallas Children’s Theatre. She moved to Portland in 2012 and has since Stage Managed for Bag&Baggage Productions, Corrib Theatre, Broadway Rose, OPS Fest, and Oregon Children's Theatre. Some of her favorite shows she has stage managed have been In This Corner: Cassius Clay; A Year with Frog and Toad; Naked Mole Rat Gets Dressed; and The Great Gatsby. When at home she can be found watching bad action movies with her husband, playing with her two cats, or doing a variety of fiber arts. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/41ab8f0b-bd23-4daa-a699-e53d3282c547/Screenshot+2024-11-09+at+8.12.00%E2%80%AFAM.png Little Ones Digital Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.renegadeopera.org/the-raven-libretto daily 0.75 2024-11-09 https://www.renegadeopera.org/2025-chatterpdx daily 0.75 2025-09-18 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/c9921fdb-14a5-4213-856b-d99fab8e761d/chatt.png 2025: ChatterPDX - ARIAFEST 2025 ChatterPDX performances occur weekly at 10:30am, doors open at 9:30am, and give audiences the opportunity to hear a wide variety of classical chamber music and spoken word performed by local artists. Coffee and mingling with the audience and performers before and after the show is an essential part to the Chatter PDX experience! 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This year Renegade Opera is partnering with the Heathman Hotel to present a program entitled Hot Goss, weaving the sordid gossip of western classical music’s most famous composers with performances of some of their most well known and little known works, in addition to a preview of Renegade Opera’s upcoming season of performances. As always, the Renegala features an opportunity to support Renegade Opera’s 5th season by participating in a silent auction and raffle, an interactive performance space with surprise performances throughout the evening, a photo booth, and more! Both bites and drinks are included in your ticket price. Join us for an evening of sweets, serenades & secrets! Performing artists include Abigail Krawson, Jesse Preis, Claire Robertson-Preis, Madeline Ross, Joellen Sweeney, Madeleine Tran, Emily Way, Timothy Lafolette, Kate Strohecker, Maeve Stier, and Megan Conroy. https://www.renegadeopera.org/map daily 0.75 2025-05-05 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/b6ccad3c-c267-40b9-8288-45f388f2a2f3/parking+rivendale.png Map for Rivendale - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.renegadeopera.org/all-styles daily 0.75 2025-05-12 https://www.renegadeopera.org/read-me daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/5052176b84aeb45fa5cfcc83/1377097104716-HDI53XJVV0DKZ24A3T68/51e453dee4b06abd3403c22e.png Read Me https://images.squarespace-cdn.com/content/v1/5052176b84aeb45fa5cfcc83/1377096775448-0L7B4Q54H1VLOGFF1DPR/synthetica+%2820130821%29.jpg Read Me 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Witch Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/dd009869-ae95-44d4-bfba-2f9b40513a59/sam+kemp.webp Waking the Witch Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/74ea3606-3b59-41f2-aa67-0d490e08a95f/danielle.jpg Waking the Witch Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/21a20da5-a590-4796-9970-c3b2445089b9/EmilyTrimbleHeadshot.jpg Waking the Witch Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/36b10727-40fd-4f70-ba6b-40d91f716856/ashi+day.webp Waking the Witch Program - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.renegadeopera.org/2026-little-ones daily 0.75 2026-02-22 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/c8d28213-c6dc-47e9-92fe-5a61745dfe70/littleones.png 2026: Little Ones - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.renegadeopera.org/2026-renegala daily 0.75 2026-02-28 https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/71e41060-4ca3-4528-8743-b5c0a8fec7de/paint+by+note.jpg 2026: Renegala - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5e100ad9151bdc24cbc16b6c/2ac0d401-d8b5-40b9-b145-1eca40b0ea47/rossa+renegala.jpg 2026: Renegala - More about our local painting artist: 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